The 2016 contest is still open, and the deadline for entries is April 30, 2016. The award ceremony will take place in May at the 29th International Book Fair in Turin, Italy. Read more about the contest and its rules for submission here.

The three categories for entry are fiction, documentary, and advertising. Below are some notable selections from previous years.

Fiction

Non parlate (dir. Davide Pettarini), which won the first year, tells the romantic story of a librarian and a patron who communicate only through the titles on book covers. Some films can be funny in describing the various types of patrons and their behaviors. This is the case of I lettori (dir. Francesco Minarini), A biblio life (dir. Edoardo Orlandi) and La biblioteca dietro le quinte (dir. Lisa Contini e Alessandra Gaias). Patrons, especially young students who usually spend the whole day in public libraries, are depicted while eating secretly, sleeping, freezing for air-conditioning, looking desperately for a seat, even having sex! Librarians, too, are described in their typical commonplaces and traits. In Lib(e)rando libri (dir. Lorenzo Debernardi), characters from classic literature come to life in front of a patron who is walking around in a public library.

Documentary

Marius (dir. Chridtine Pawlata and Nicola Moruzzi) is based on an interview to a Roma teenager who learned to read and write Italian thanks to the lessons provided by volunteers in a public library. The public library is “the best place I’ve ever known,” he says—because he does not have to feel ashamed there. It is a story of how public libraries, as nonjudgmental and neutral places, change lives. Paradisi Project describes a group of high school students looking for books and information about the fourteenth century paintings in a chapel in Terni, Italy. The film shows their visits to the city library and archive and their final discovery that art scholars had different interpretations of the paintings through the years.
In the films of this category, public libraries are often presented with interviews to patrons and staff.
Non pago di leggere (dir. Christian Biasco and Francesca Terri) is about the campaign against public lending right introduced by a European Union directive.

Advertising

In this category, films must be a maximum of two minutes. La biblioteca è +teca (dir. Andrea Pecora) was shot in some of the best Italian public libraries, located in the metropolitan area of Milan. The film effectively represents what you can experience in today’s public libraries: drink coffee, play chess, learn to dance, attend a concert, read while biking, etc. Scegli la tua storia (dir. Nicolò Favaro) featured a book domino chain as an original way to promote the library space.

Watch more submissions from previous years to get inspired. Because IFLA is a partner, the contest’s judge panel is international. One judge is Siobhan Reardon, President and Director of the Free Library of Philadelphia and Secretary of the Standing Committee of the IFLA Section on Metropolitan Libraries

Note: The Italian Library Association runs Librariana, a unique virtual reference desk about libraries and librarians in arts and literature. One of the founders of the contest, Gabriele De Veris, a passionate librarian in the city of Perugia, Italy, contributed to the subtitling in Italian of Ann Seidl’s The Hollywood Librarian, which became popular in the Italian library community after its first screening in 2010.

The post Apply for the 2016 AIB/IFLA Short Film Contest first appeared on Public Libraries Online.

Filmmaker Jason LaMotte was so inspired by his memories of the library in his hometown of Houston, Texas that he directed a new short film, The Library. LaMotte, having filmed The Library in the United Kingdom, told The Guardian in an interview that his story “initially came from wanting to explore the relationship between memory and place.”^[1]

In the film, which runs for approximately twenty minutes, thirteen-year-old Emily discovers notes that are left for her whenever she visits the local library after school. The notes lead her to love poems, causing her to wonder who is leaving them for her. We can surmise that what she ultimately finds amid the ‘codes’ (what we in the States might call the Dewey call numbers) is not what she was expecting.  By the end of the film, we have learned along with Emily who was leaving the notes for her – and who wasn’t. The viewer might also be left with a bittersweet nostalgia for their own youth and, just maybe, a reminder of the power of love.

You can find this film on LaMotte’s Vimeo channel, along with others including his award-winning short, The Terms.^[2] There is also a ‘behind the scenes’ video available of the making of The Library. And if you really want to immerse yourself in UK culture, you can read up on The Library’s lead, Irish actress Missy Keating (daughter of Boyzone lead singer, Ronan Keating, and Irish model Yvonne Connolly).

Sources:

LaMotte, Jason. “The Library: a new short film on the wonder of libraries – video.” The Guardian (25 October 2015). Web.

LaMotte, Jason. The Library. Video. Performed by Missy Keating, Josie Kidd, Alan Breck, Joe Eden, Robbie White. Vimeo, 2015. Web. https://vimeo.com/jasonlamotte

The post The Library: A Powerful Memory for One Filmmaker first appeared on Public Libraries Online.